‘The Style of Issues’ Is a Sensual Ode to Meals and Love


It’s round mid-morning on a day in 1889, and simply as she’s ladling swimming pools of cloudy inventory over fish, Eugénie (Juliette Binoche) loses her steadiness. She and her two younger helpers on this French countryside kitchen have spent hours peeling cherry-red crayfish and roasting rosy loins of veal for her boss of 20 years, a gourmand named Dodin Bouffant (Benoît Magimel), and his circle of male associates. Some name Dodin the “Napoleon of culinary arts,” a sobriquet that makes him bristle. He is aware of that Eugénie, his prepare dinner, is the motor of his genius.

Her labor doesn’t go unrecognized, for everybody can see that theirs is a dance of equals: He often conceptualizes menus whereas she executes them, unerringly. And Eugénie’s talent is supreme. Her baked Alaska, with its scorched peaks of meringue, is so potent that it will probably make the individuals who eat it nearly cry. The issue, as her spell of incognizance signifies, is that Eugénie is unwell.

Eugénie’s lapse arrives about 20 minutes into the practically half-hour-long introductory scene of the Vietnamese-born director Trần Anh Hùng’s The Style of Issues. The French-language movie hits theaters in Los Angeles and New York at the moment for a weeklong awards-qualifying run — it’s France’s official entry to the Finest Worldwide Function Movie class on the 2024 Academy Awards — earlier than a large launch in February. Based mostly on a 1924 novel by the Swiss writer ​Marcel Rouff, the movie first turned heads at this yr’s Cannes Movie Pageant, the place Hùng received the Finest Director award. It’s not tough to see why: This primary, show-stopping sequence alone, which takes place principally within the kitchen, suggests a craftsman working on the prime of his kind. But the movie struggles to maintain the promise of that hypnotic opening set piece.

The procession of photographs at the beginning of The Style of Issues may recall the culinary pageantry supplied by movies like Tampopo (1985), Babette’s Feast (1987), and Massive Evening (1996), which have all gained reputations as quintessential meals movies. The Style of Issues, by advantage of that first scene, may appear to be it’s jostling for a spot in that vaunted canon. (This isn’t Hùng’s first use of meals as a story software, both: his sterling 1993 debut function The Scent of Inexperienced Papaya has typically appeared in such discussions of seminal meals films.) However what The Style of Issues lacks, particularly in comparison with these titles, is a gratifying emotional arc to accompany its gastronomic spectacle.

Because the movie progresses, the viewer learns that Eugénie is certainly stricken with an unspecified deadly illness. Nonetheless, she cooks, although her artistic schools are tarnished by the monster coursing via her physique: she will barely stay standing within the kitchen, her pure area. As Eugénie fades, the bond between boss and worker additional tightens. He typically watches her bathe, although they sleep in separate rooms. They’re biding time earlier than they resolve to marry, one thing that Eugénie, valuing her independence, had lengthy resisted. In a gesture meant to woo her, Dodin cooks her an elaborate dinner one night time, serving her oysters, rooster, and champagne pulled from a shipwreck on the backside of the ocean. He appears to deal with the meal as if it is likely to be her final.

Eugénie’s sickness offers the movie its faint heartbeat, and Hùng treads delicately. The Style of Issues operates in a low key, and constructing dramatic stakes doesn’t appear to be Hùng’s motivating intention. Reasonably, he tries to precise the distinctive rapture of being fed by somebody you like, who is aware of your tastes in addition to you your self do.

The problem, then, arises with Hùng’s miscalibration of the movie’s competing parts. His sensualism fares higher with meals than together with his characters. In The Style of Issues’ best moments — which occur within the kitchen — Hùng appears to find a brand new language for capturing gustatory pleasure via movie. His strategy is so tactile that the sight of pearly caviar beads appears downright carnal. You possibly can scent the gum of rendering bacon fats, the sweat of butter being strained right into a pot.

However this feast of images finally begins to really feel extra indulgent than purposeful. Hùng paces his 135-minute-long movie so languidly that its engine sputters. He exams the viewer’s funding in his two protagonists and buries their wants beneath the bloat of extra. He tries to understand the cinematic potential for utilizing meals as a conduit for situations of the soul — pleasure, longing, each feeling that sits in between — however his potential to take action in the end exhibits its limits.

Hùng’s aesthetic preoccupations come on the expense of maintaining the inside lives of those characters on the fore. This can be a actual disgrace, contemplating the very high-quality work of his two leads (they had been as soon as romantic companions off-screen, and their connection stays palpable). Binoche is characteristically effervescent, and she or he brings nice dignity and pathos to this function of a girl who’s cooking towards time. Her carriage is wraithlike, implying she may break at any second, however she additionally conveys resolve. Magimel matches her with each beat, switching registers on a dime. He’s tender when the event requires it and a spark plug of fury in others, significantly when Eugénie’s absence turns into an imminent actuality, making clear that no prepare dinner will ever be capable to greatest her brilliance in his thoughts.

However each performers are soldiering via a movie that appears to be colluding towards them. When the inevitable tragedy of Eugénie’s illness strikes, the occasion registers extra feebly than it ought to. For a movie ostensibly predicated on demonstrating the non secular transcendence of cooking for — and being fed by — the individual you like, The Style of Issues commits essentially the most cardinal sin of all: It leaves you hungering for extra.

Mayukh Sen is the writer of Style Makers (2021) and a forthcoming biography of the actress Merle Oberon. He has acquired a James Beard Award for his meals writing, and his work has been anthologized in three editions of The Finest American Meals Writing.


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